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With a fiercely honest front man in ‘Hitch’, the band have only to perfect the musicality that fits best with the subject matters they want to get across to fans, and the best way to do that is Metal. In today’s current climate of greed, poverty and divide, you can be sure that Anarchy Reigns will always give a voice to the people who deserve it.
Anarchy reigns anarchy reigns soundtrack album free#
Fury is embedded within the lyrics, fire is a heavily used necessity in any Anarchy Reigns live show and the free aspect, well, new track ‘Hypocrisy’ is available for no bank busting price, in fact, no price at all. All things Anarchy Reigns have in their arsenal at this point in time. Excuse me while I go to the gym.Fury, fire and free. Unlike Ni No Kuni and Devil May Cry, Anarchy Reigns’ music is always in your face like an overzealous hype man urging you to feel the beat. Spending a few minutes with “Kill ‘Em All” and “Laughing at U” will almost certainly make you put on some gloves and destroy a punching bag. Nothing about Anarchy Reigns is particularly classy or subtle, so it stands to reason that the music glorifies vengeance and thuggish braggadocio. Fat beats and heavily repetitive lyrics deliver a perfect one-two punch for tireless combos and horrible acts of digital violence. Every song drips with that “hardcore” sound Sega established in Jet Set Radio and Crazy Taxi in the late ’90s, but here it updates it for a more hip-hop-aware world. I dare you to not want to kick some ass after listening to Anarchy Reigns. DmC: Devil May Cry leans heavily on pulsating and grating dissonance with an occasional burst of tinny orchestral melody.ĭutch electronic group Noisia took a step away from their signature drum ‘n’ bass for most of Devil May Cry and focused instead on a grungy and oppressively synthetic wall of noise.įans of dubstep insisting on “dirty” bass drops will likely enjoy the soul-vibrating nastiness to the bass lines in “Mundus Theme” and “Lilith’s Club.” Dubstep is already an overplayed addition to most games, but Noisia’s attempts fit it into Devil May Cry’s overall tone and maintains a feeling that the world is constantly shifting between reality and Limbo. This is probably the least comfortable soundtrack I’ve listened to in many years. With Hisaishi’s help, Ni No Kuni gets a little extra sprinkle of magic in an already fantastic adventure. You could use the studio’s art style and even the same story with any other composer’s work but it wouldn’t retain that feeling that you’re diving into a Miyazaki film. Hisaishi’s music enhances the overall Ghibli quality to Ni No Kuni. Long-time Studio Ghibli composer Joe Hisaishi’s score for Ni No Kuni: Wrath of the White Witch delightfully combines the orchestral bombast found in older Final Fantasys and Dragon Quests with his own playful melodies. It’s a bit disheartening that many Japanese role-playing games these days are moving away from jaunty adventuring tunes. We’ve also got an in-depth interview with Aliens: Colonial Marines composer Kevin Riepl.
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This month, we’ll take a look at Ni No Kuni: Wrath of the White Witch, DmC: Devil May Cry, and Anarchy Reigns.